Sunday, 28 January 2018

Hamilton Review


I am still shook. 

Having bought tickets a year ago last January, and having the date moved as the show started previews later than expected, I finally got to see Hamilton last Thursday afternoon, and my goodness, was it worth the wait.

I went with my best friend from uni who was obsessed with Hamilton and we used to try and nail the Schuyler Sisters harmonies, as well as my favourite work friend from my previous job. It was the most perfect day, seeing old friends and watching a show that we all loved.

What got me the most about going to see Hamilton was the buzz and excitement from the audience even before the show. Knowing that everyone in the auditorium was there because they had bought tickets a year in advance and was a genuine fan felt incredible.

How amazing must that be for the cast members, knowing that everyone there is behind you 100%. 

We clapped when the first few notes were played and we cheered when the line "Immigrants, we get the job done" was said. It was like seeing a show with hundreds of your Hamilton obsessed best friends, all seeing the soundtrack that you've listened to come to life for the first time. Without too many spoilers, you could hear the sniffles and watch almost all members of the audience wipe their eyes during "It's Quiet Uptown" and "Who Lives Who Dies, Who Tells Your Story". It really was something magical.

Jamael Westman as Alexander Hamilton, a recent RADA graduate, had big shoes to fill, following in the footsteps of Hamilton creator Lin Manuel Miranda, absolutely killed it, rapping seamlessly and filling the whole stage. Michael Jibson as King George has the best job in the world, only being in the show for the few odd scenes, got a laugh and a cheer every time. The Schuyler Sisters, Rachel John (Angelica), Rachelle Ann Go (Eliza) and Christine Allado (Peggy, and also incredible as Maria Reynolds) were perfect, and a shout out to Jason Pennycooke as Lafayette and Thomas Jefferson.

What I also loved about Hamilton was the ensemble. No scene felt flat, as the choreography and the ensemble cast didn't look out of place with some incredible contemporary dance moves. The bows at the end were also something special. There was no playing around with the audience, ending with a big song and dance with each character getting a cheer. The cast simply stood at the front and bowed together as one. It was incredible moving and a special moment.

I'm sure if you're reading this, you don't need any encouragement to try and get tickets, but listen to the soundtrack if you haven't already. You'll be obsessed.
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